Aronofsky, of course, ultimately brings the outside world smashing into “mother!” The world of fame and fan worship, of cataclysm and war. You could hardly miss those meanings, since the film hits you over the head with them. And critics, in their inflated rush to allegorize everything in “mother!,” have been quick to lump in the theme of the artist and his muse. But that theme isn’t an allegory in “mother!” It’s simply a basic dimension of the movie, executed in an overstated way, with Bardem as a celebrity poet (a celebrity poet? In 2017?) and Lawrence crushed by the surge of fame — the crowds, the editors, the handlers — that swirls around him.
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